Matthew is involved in a number of projects in art, software and media ecology and has written on media theory.
Professor of Cultural Studies, convenor of the MA in Digital Media
Media, Communications and Cultural Studies
m.fuller (@gold.ac.uk)
Matthew Fuller is Professor of Cultural Studies. With Usman Haque, he is co-author of 'Urban Versioning System v1.0' (ALNY) and with Andrew Goffey, of ‘Evil Media’ (MIT), Editor of 'Software Studies, a lexicon' (MIT) and co-editor of the journal Computational Culture. He is involved in a number of projects in art, media and software and is the author of the forthcoming, 'How to Sleep, in art, biology and culture' (Bloomsbury).
Matt teaches the Digital Media: Critical Perspectives module and the option Media Philosophy. He is also convenor of the MA in Digital Media.
He supervises PhD researchers in: new media, art, software studies, cultural ecology, design, cultural theory, and related areas. Proposals are welcome from those planning diverse forms of research.
Mongrel
Artists collective
Media Shed Southend-on-Sea, UK
Free Media Space
The Container Palmers Cross, Jamaica
Free Media Space
I/O/D 1994-1997
Speculative software group
Run-me
Software Art Repository
‘Convergence, the journal of new media’
Fuller, Matthew and Weizman, Eyal. 2021. Investigative Aesthetics: Conflicts and Commons in the Politics of Truth. London: Verso. ISBN 9781788739085
Fuller, Matthew and Goriunova, Olga. 2019. Bleak Joys: Aesthetics of Ecology and Impossibility. Minneapolis: University of Minnesota Press. ISBN 9781517905538
Fuller, Matthew. 2018. How to Sleep: The Art, Biology and Culture of Unconsciousness. London: Bloomsbury Academic. ISBN 9781474288705
Fuller, Matthew, ed. 2008. Software Studies: a lexicon. Cambridge, MA: The MIT Press, pp. 1-334. ISBN 978-0-262-06274-9
Fuller, Matthew. 2020. In praise of plasticity. In: Peter Mörtenböck and Helge Mooshammer, eds. Data Publics: Public Plurality in an Era of Data Determinacy. Abingdon: Routledge, pp. 34-53. ISBN 9780429196515
Fuller, Matthew. 2019. The Autonomous and the Enmeshed, Marko Peljhan's Theatre of Operations. In: Igor Spanjol and Marko Peljahn, eds. Here We Go Again, system 317. Ljubljana: Moderna Galerija, pp. 65-80. ISBN 978-961-206-140-1
Fuller, Matthew. 2019. Sonic Tensors and Mental Ears in Universes of Synthesis. In: Vanessa Joan Muller, ed. Florian Hecker: Halluzination, Perspektive, Synthese. Berlin / Vienna: Sternberg / Kunsthalle Wien, pp. 7-14. ISBN 9783956794711
Fuller, Matthew and Mazurov, Nikita. 2019. A Counter-Forensic Audit Trail: Disassembling the Case of The Hateful Eight. Theory, Culture and Society, 36(6), pp. 171-196. ISSN 0263-2764
Braidotti, Rosi and Fuller, Matthew. 2019. The Posthumanities in an era of Unexpected Consequences Editorial for the special issue on the Transversal Posthumanities. Theory, Culture and Society, 36(6), pp. 3-29. ISSN 0263-2764
Fuller, Matthew and Goffey, Andrew. 2012. Digital Infrastructures and the Machinery of Topological Abstraction. Theory, Culture & Society, 29(4-5), pp. 311-333. ISSN 0263-2764
Fuller, Matthew. 2009. Digger Barley.
Fuller, Matthew and Harwood, Graham. 2010. Requiem for Cod.
Fuller, Matthew. 2009. 500 Slogans. In: "Moving Forest", Transmediale, Germany, 2009.
Fuller, Matthew and Cheang, Shu Lea. 2023. Sleep Series. In: "Sleep Series", Stadtwerkstadt, Linz, Austria, 2018-ongoing.
Fuller, Matthew and Harwood, Graham. 2002. Text FM. In: "Text FM", Vienna Public Square, Mariahilferstrasse, Institute for New Culture Technologies, Vienna/Austria, Austria, 1/15/2002 - 5/30/2002.